808 Sounds You've Heard

     No, the title of this post is not the header for a behemoth list of audible observations. My hands don't have the longevity to write such a list, and I bet not even audiophiles would have the will to read it. But that hypothetical list might be summed up with this short clip:

808 References

     808 this, 808 that...  I've noticed this lyrical pattern for a while but, before I got into electronic music, I had no idea what everyone was talking about with their 808 "Bumps," "Beats," "Bass," and "Booms." And if that bundle of breviloquent B-words didn't tip you off already, what these lyrics are referencing is a drum track. More specifically, they mean one produced by the Roland TR-808 drum synthesizer, endearingly referred to as simply the "808."

     Naming the 808 mid-song (or dedicating your entire song/album title to it) is a testament to how popular this thing is. Though sometimes the sounds are heavily processed, an enormous amount of the hip-hop, R&B, dance, and electronic music you'll hear on the radio uses some incarnation of the TR-808 for its rhythmic backing. This includes most of the clips you just listened to. You're probably familiar with many of those tunes. They're all relatively recent, especially considering that the drum technology they're serenading is from the early 1980s — the veritable stone age of synthesizers! Listen:

Roland TR-808 Samples

     If you strain your ears, you can at least tell which parts of a percussion kit these segments are meant to approximate, but compared to the realistic drum machines you can get today, the TR-808 is ridiculous — the snare drum sounds like gas escaping from a plastic grocery bag. I had to wonder why this obsolete synthesizer is so prevalent in popular music today.

     The simplest answer I could find is that it was cheap in its day, which always helps build a following. With hip-hop being a youthful genre void of any glamour at the time, aspiring emcees who just needed a few beats behind them always preferred a modest price tag, even when better drum machines were available. (Early Beastie Boys stuff, for example, features some pretty hot 808 action.) Over time, the artificial drum sounds became an integral part of that urban hip-hop flavor.

     But there's more to it. The most interesting thing the TR-808 has going for it is its killer kick drum whose emulation errs in an intriguing way. Listen to the first sound in that 808 sample clip again then check out what you find when you do a waveform analysis of it:

Horizontal axis = time (seconds). Vertical axis = loudness (decibels)

     First notice how the 808 kick takes almost zero time to get loud. In both drum and synth lingo, the time it takes a sound to initiate and get loud is called the attack. The faster the attack, the sharper it sounds to us. (recall my post on saw waves.) Also notice that the 808 kick oscillates at a much higher frequency near the beginning. This translates to a very high pitch that lasts about 1/300 of a second before dropping. It happens so fast you don't even know you've heard it until it's gone, but that rapid change in pitch gives the initial attack an extra little "pop" sound for emphasis. The equivalent pitch drop on the real kick drum isn't nearly dynamic enough to accomplish that feat.

     My favorite part of this comparison, though, is the fact that the 808 kick drum sustains a low pitch for way longer than a real kick drum does. And it's louder! A sharp attack plus a loud and long bass tone means the whole sound hits you fast and hard, in that order. A heavier sound makes for a more visceral reaction to it, and that's where we find much of the TR-808's lasting charm. Modulate those sounds in the right way and you get the foundation for pretty much every energetic electronic genre out there. And when things like house, trance, and dubstep converge with the aforementioned "urban hip-hop flavor," you get the 808-saturated pop music we hear today.

     Even if you're not using the 808, referring to it in your lyrics is a quick gimmick to make you sound like a cooler, more mature musician who understands his or her musical roots. Some genres have become practically defined by "that 808 bump." As a rough demonstration, here are two of my own tracks. They have similar rhythmic styles, but one features an 808 drum kit and one doesn't:

"AMP 2.2"	*Yawn...* A standard, vanilla drum synth. I made this as a teenager, well before I knew what the TR-808 was. It's dance-able, but I had to make the other synth instruments work extra hard to compensate for the fact that I just didn't know how to get the percussive power needed to make this track sound the way I thought it should.
"Flaming Squash"	Ah, that's better! The 808 isn't absolutely necessary here, but an 808-style wave profile is. Without that characteristic attack and bass, this wouldn't feel like proper trance music. Far East Movement said it well: "That 808 bump make you put your hands ups."

     Like many synthesizers, the TR-808 was originally meant as a replacement for an acoustic instrument. With respect to serving that purpose, no one will disagree that the TR-808 is obsolete. However, the sounds are now so departed from what we would consider a realistic drum synthesis that the technological limitations of 1980s offer 21st century musicians sounds in a category all their own. And the people who accepted the 808's musical potential for what it was at the time instead of trashing it the minute a slightly better drum approximation became available were the ones who pioneered entirely new genres of music.

     It's almost impossible to escape the influence the TR-808 has had over the past thirty years. The sounds are now staples of dance club music and are about as celebrated as the Friday nights during which they get played. Some group of people even went so far as to honor the renowned drum machine with its own day. "808 Day" is a novel holiday that pays tribute to the device whose penetrating drums beat the path for a good chunk of modern music. Quite predictably, it occurs every year on 8-08. And quite incidentally, that's also my birthday.

     So...I think I know what my birthday is going to sound like next year. Don't worry about showing up to the party — you'll hear it from where you are.

Substitutes

I was doing some research for a future blog entry I want to write and found this:

"Thump the bass and blast that solid Christian rock!"

Sweet, rocking Jesus, this is so terrible I almost don't know where to start! Since when is the on/off switch on a piece of electronic hardware listed among marketable accessory features like a removable strap and whammy bar? That's like if I were trying to sell you a new car by saying, "It also comes with wheels!"

But the reason I shake my head at this ad is not the quote-ably awful script. The game is an overt knock-off of the popular Guitar Hero games and is one of many products made for audiences whose interests or agendas conflict with what is already available. There's nothing wrong with catering to a different subset of people, but it seems almost disrespectful to assume those people will only be satisfied with derivative copies of other things.

To elucidate by analogy, I'm sure you've noticed this same phenomenon in vegan food options. There are vegan substitutes for pretty much everything now thanks to the infamous culinary shapeshifter, soy. I tried some soy-based vegan cheese on a pizza recently. Despite being a little sandy in texture, I was surprised at how creamy and cheese-like it tasted. But the fact that it tried so hard to mimic the real thing is a sign that people are either unable or unwilling to explore the still endless possibilities available to their dinner table even without so much as a reference to meat or dairy. For example, I can think of dozens of amazing and delicious things a person can do with almonds aside from turning them into a substitute for cow milk.

"Teese" was the name of the cheese substitute I ate — a name which, itself, suggests that being vegan is just a constant battle to resist sinful temptations. I've been vegan for several good stretches of time in the past and I can say that if the diet you choose is a diet you genuinely want, you won't crave the things you can't have. It's a slightly different story for people whose food restrictions are in response to allergies or other medical conditions, but substitutes like Teese seem mostly made for unafflicted people who either don't truly want or can't fully appreciate their choice of lifestyle as it is.

Guitar Praise is for people who want Guitar Hero but can't have AC/DC's irreverence or Ozzy Osbourne's demonic overtones. (You wouldn't want your Bible-studying, choir-boy son listening to a band called Black Sabbath, would you?) There are several other things the creators of Guitar Praise might have intended in its inception: To make Christianity fun and accessible to kids; to unobtrusively spread the word of God; or just to provide simple, wholesome entertainment. But their delivery device prevents me from getting any of those messages. It's a clone of Guitar Hero. The only message that sends is that Christianity is incapable of offering anything other than diminutive incarnations of bigger and better things. And that's about as fair a statement as saying that almonds are only good for milk. Substitutes are not limited to Christianity (or religion at all) but religious substitutes are perhaps the saddest considering the number of complex idiosyncrasies any spiritual lifestyle could offer for inspiration.

I've been picking on Guitar Praise, but there's almond milk everywhere! Ever heard Christian hip-hop? Or Christian metal? They exist, unabashedly emulating sounds we've heard before. Here's a listening exercise. Compare:

I hope you noticed the stylistic similarities here, particularly in the vocals. The left track is by a band called Eternal Decision which delivers Christian messages through thrash metal (hidden somewhere in the gruff yelling, I imagine) and the right track is... well... Metallica. While most religions' distinctive sounds come from well outside this century, and while Christian music hasn't had its own sound for about 300 years, it's practically unimaginable that something as big as an entire religion couldn't inspire unique and wonderful gifts for musicians to give the modern world — gifts that are more than just familiar songs with Jesus in the lyrics.

The best vegan dishes bring their own personality to the table without being overshadowed by the beefier dishes among them and without resorting to imitation. They are good not despite a lack of meat and dairy, but because they lack meat and dairy. They own and nurture the creative possibilities still available instead of constantly compensating for the restrictions, which is a big paradigm shift in a world that loves substitutes. It's a shift I hope to see more in diets, video games, songs, and every other place. As a music enthusiast, I have a particular interest in hearing Christian music re-imagined. That's probably too tall an order for me to deliver as a single musician (and perhaps even blasphemous for me to try as an atheist) but maybe others will have these same ideas. If the existence of gourmet vegan food is any indication, then I look forward to Christianity's creative crusade.

Though after seeing stuff that tries as hard as THIS does, Guitar Praise starts to look pretty good...